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Wess Mongo Jolley

Poet, and Performance Poetry Promoter

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The Performance Poetry Preservation Project.


The Poetry Slam movement is a vital, dynamic and energizing development in contemporary American culture, and has served to showcase and encourage numerous underrepresented voices in poetry. However, the spontaneous and grass-roots nature of the movement means that these critical live performances are not being adequately collected or archived. Without a concerted effort, much of the legacy of the modern performance poetry movement will soon be lost forever.


The Performance Poetry Preservation Project (P4) was created with an eye towards preserving the Poetry Slam movement’s history, as well as educating and supporting the slam community about how to record and properly archive ongoing events. The main focus of P4 will be preserving these digital audio and video recordings of slam poets and poetry slam events. However, in addition to these recordings, the P4 will collect and preserve the extensive paper archives of the Poetry Slam movement, such as chapbooks, fliers, posters, programs, organizational records and newsletters.


Easier to preserve analog recording technology is quickly becoming a thing of the past, and has largely been abandoned by both the poets and academia. Digital recordings have become the inevitable standard, but many poets and venues have not yet made the transition to this new technology. And indeed, these new recordings pose special challenges in their preservation that no individuals or venues are prepared to meet. Without technical assistance and a comprehensive preservation infrastructure, we are destined to lose most of the recorded history of this important social, political, and artistic movement.


P4 aims to provide a reliable methodology to both capture and preserve the slam poetry legacy for future generations.


For more information, visit The Performance Poetry Preservation Project Website.